Sam Rivera

Bong Joon-ho has crafted a masterwork that defies genre. The tonal shifts feel effortless, moving from comedy to thriller to tragedy without ever losing its grip. The Park house becomes a stage for class warfare rendered with surgical precision. Every frame earns its place.

Maximalist and deeply personal. The Daniels throw every idea at the wall and somehow each one sticks because the emotional core — a mother and daughter trying to connect — is so genuine. The googly eyes scene? Art.